Mood: happy
Topic: Bring It On!
Go to the Trailer!! Just A Peek At Bone Dry
Cast and Crew of Bone Dry. Is Lance Henriksen in this picture?
Include the Artistry of Lance Henriksen in your World
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From House of Horrors
Fangoria June 2, 2006
Fangoria June 3, 2006
Fangoria June 4, 2006
Paulina has to go now; however, if you imagine hard enough you can find her under a Restless Moon
drawing up a storm.
Arranged by La Femme Nikita07 for Ulaluma. Nothing else like a Restless Moon!
Source: Picture Gallery by Lycos
I watched the movie "Antibody" recently and found it very entertaining. I enjoyed the plot. The movie starred Lance Henriksen with his co-star Robin Givens. Loyal fans and admirers of Lance Henriksen will not be disappointed. The movie is not considered "horror". If you are looking for horror choose another movie with Lance Henriksen. However, if you are looking for a movie with a scientific yet believable twist, I suggest this movie. It was enjoyable to watch Lance playing such an active role. By Lafemmenikita07
Additional Reviews Include the Artistry of Lance Henriksen in your World
DVD Review | Antibody
Written by: Kage Alan
Film Rating: B
DVD Special Features: N/A
I remember seeing commercials for this made-for-TV movie on the Sci-Fi channel and really wanting to catch it. Unfortunately, wanting to see it and remembering what night it’s on are two completely different things. How different? Think Martha Stewart and Mother Theresa. Unfortunately, since I no longer watch the Sci-Fi channel nor officially support anything they do ever since they screwed over the cast, crew and fans of “Farscape” by canceling them at the last possible second, I never caught another viewing of “Antibody”. Well, thank goodness for DVD releases because now I can watch it without giving the Sci-Fi Channel two hours of my viewing time.
Dr. Richard Gaynes (Lance Henriksen, “Mimic: Sentinel”) is a top-notch bomb defuser for the FBI, only he seems to have met his match when he orders the killing of a terrorist being held at the airport who happens to be holding the trigger. As soon as the villain’s pulse stops, the bomb goes off. Oops. Guess who the scapegoat is? A year later, Gaynes finds himself in Germany running his own security company. Unfortunately, he can’t even seem to do that very well and another terrorist saunters right on in and attempts to hold the country hostage.
Yes, there’s another bomb, only this one is big enough to lay waste to everything for close to fifty miles and leave enough radioactive fallout to last a solid six years. The catch? The trigger is inside the terrorist and killing him will set it off. It doesn’t take long before the terrorist is subdued (though kept alive) and Gaynes is brought in by some scientists for a desperate mission. He’s about to be shrunk down, sent in with a team lead by Dr. Rachel Saverini (Robin Givens, “Boomerang”) in an experimental craft and forced to fend off the body’s defenses in order to locate the trigger and disarm it. Whew!
One of the main attractions to watching this film is the special effects, which are pretty sweet in some sequences. Unfortunately, it does not a successful movie make. The saving grace here is Lance Henriksen. Despite supporting roles in films like “Mangler 2”, Henriksen proves once again that the man can helm an average film and make it something a little extra special. Even Givens does what she can despite being given stilted dialogue and a cast of supporting players who couldn’t act their way out of a paper bag. Director Christian McIntire is smart enough to understand the material is so-so and instead lets his lead actors do what they do best; chew up the screen. I can respect that!
First Look Home Entertainment has released “Antibody” in a very nice looking Full Screen transfer. Since this was made-for-TV, I’m assuming this is the correct aspect ratio. Video quality is quite nice and the audio matches. Okay, I even liked the theme music. It must have reminded me of something from the 80s. As for extras, there’s a trailer. Too bad McIntire didn’t do a commentary for this because I would have loved to have heard what it was like putting the project together. It looks like the cast had a ton of fun.
“Antibody” is one of those rare films where it shouldn’t have worked, that the special effects were the only reason to watch it, but somehow you end up far more entertained than you have any right to be. Okay, more than I had any right to be. It was fun and I really enjoyed it, especially Henriksen.
Another Review
"Antibody, one of the first UFO films I?ve seen in a while it seems like yesterday that they were making half the movies I ended up watching proves a pleasingly decent low-budget riff on 1966's Fantastic Voyage*. In that film, a medical team (including Stephen "The Oscar" Boyd, Raquel Welch and a typically squirrelly Donald Pleasance) are miniaturized and sent, via an equally wee sub, into the bloodstream of a defecting Russian scientist, following an assassination attempt. Their mission was to find and eradicate a potentially fatal blood clot. I am assuming the line in the film's trailer, included on the DVD, which has the announcer noting, "Now a group of scientists must make an incredible journey inside the human body," is meant to be winking allusion to the movie's predecessor. Here Lance Henriksen and Robin Givens lead a similarly miniaturized and equipped team who are also injected into a human body. Their mission is to search out and disarm a nano-detonator lodged in the body of a grievously wounded Russian terrorist. Should the man die before they do so, the detonator will trigger a massive nuclear blast that will kill millions and render much of Europe unlivable for years to come. We open with a rather nifty credit sequence featuring flashcuts of CGI animations of the human body and a nice, driving score. This is the kind of thing you like to see in these movies, a bit of style in those areas that don't require a lot of money to be effective. The film proper begins outside the Russian embassy in Washington, as FBI bomb expert Richard Haynes (Henriksen) arrives to disarm a bomb found in the building?s basement. After some stuff meant to establish his credentials as a Guy Who Knows What He's Doing, he looks over the device until interrupted by a phone call. An armed Russian national has been cornered in the airport, and is waving around both a gun and what appears to be a detonator. Haynes gives the order to have the man shot down. However, this event appears to trigger the bomb, which kills a number of police officers and destroys the embassy building.
It's eventually determined that the man at the airport had been implanted with a nano-sized detonator, one that was designed to trigger the bomb when he died. Given the spectacular nature of the results, an official scapegoat is required. Haynes quickly finds himself out of work. A year later, Haynes is living in Germany, heading up a successful high-tech security firm. He's providing the security for a conference on nano-technology that's drawing several of the world's most important scientists, as well as the German Chancellor. Unfortunately, Russian terrorists infiltrate the conference and kill several attendees. The rest are held as hostages. (I couldn't quite follow what their cause was. The group is described as "right-wing" of course and the head terrorist at one point starts ranting about a "New World Order," but their actual motives remains tenuous at best.) After publicly offing the German Chancellor, the head terrorist warns that he too sports a nano-detonator, one that will destroy Munich should he die. In the end, the authorities risk a raid, but the head terrorist ends up being shot by one of his own men. It's determined that the wounds will undoubtedly prove fatal, and in short order. Luckily, nano-expert Dr. Theodore Birhill has been heading up a secret project on miniaturizing people down to a microscopic size. With time against them, he shrinks Gaynes and a small team headed up by scientist Dr. Rachel Saverini (Robin Givens!) and injects them into the body to find and disarm the detonator. However, the team is not only against the clock, but must survive the human body?s defensive mechanisms, including the blob-like "whites," or white blood cells. In the end, Antibody is most interesting (admittedly, to an extraordinarily narrow segment of the public) as evidence that that the folks at UFO are gradually getting a handle on this movie thing. The most obvious advantage the film possesses is the presence of Lance Henriksen as its leading man. While I still tend to wince at seeing such a fine actor reduced to taking parts in DTV junk like this, at least the picture gives him a decent showcase. Too often he appears in near-cameo roles in even cheaper productions, and usually, of course, as a villain.
Henriksen is an interesting actor. Unlike many of his B-movie star peers and predecessors, he's not prone to hamming it up. Instead, he remains a minimalist actor, but one who manages to project a very credible intelligence and authority even in patently ridiculous circumstances. Given the script deficiencies generally inherent in these productions, such an actor is downright invaluable. The rest of the cast ranges from adequate to awful. Robin Givens fails to embarrass herself as the de riouger beauteous scientist, but doesn't exactly set the screen afire either. (Of course, given the kind of shooting schedules these things tend to have, you wouldn't really expect her to.) Some might find her character's ready acceptance of the markedly older Henriksen as a romantic partner problematic. However, since he makes every other male in the cast look positively lifeless in comparison, I had no difficulty in this department. UFO vet William Zabke, star of Python and Python II, is a solid actor relagated to a truly pointless supporting role. He's also victimized by his inability to provide in any halfway convincing fashion the German accent his part requires. If I hadn't seen him in other movies, I probably wouldn't have suspected him of being capable of better work. At the lowest end of the spectrum, meanwhile, is the Romanian actor who plays the lead terrorist. One assumes he received a bonus every time he bugged his eyes out for Eeee-vil emphasis. It's no doubt for the best that he doesn?t have any face-to-face time with Henriksen, whose traditionally expert underplaying would have made the guy's performance look even more ludicrous. The physical production is comparatively impressive. There are still times when one become aware of the fact that the actors are on some rather economical sets' the elevator whose low door forces the actors to bend down in order to enter and exit it being an example?but on the whole these are at least good enough that they don?t draw attention to themselves. The most prominent sign of a higher budget, at least by UFO standards, is the generous amount of CGI. Unsurprisingly, all the action inside the body is computer animated, and it's actually pretty decent. It was probably an advantage that the entire sequences were animated, rather than involving CGI effects placed into and purportedly interacting with real-life settings and actors, as in the studio's myriad giant animal pictures.
The script is a hit-and-miss affair, although a bit more lively than those of many earlier UFO efforts. Again, though, it's immeasurably helped by Henriksen, who manages to make the material seem less dubious than it actually is. Also, when the film isn't given to lame repartee and one-liners, it can occasionally be affecting. Right on schedule, for instance, one of the mini-sub characters makes the ultimate sacrifice to save the others. I won't say I burst into tears of grief over said demise, but the scene worked better than I had been expecting. I also really, really liked the fact that none of the good guy characters turned out to be gasp, shock a terrorist mole. This kind of extraneous bad-guyism is depressingly standard in these films, and indeed, occurred in Fantastic Voyage. I admit to spending the entire film tensing for such a revelation, and appreciated being wrong in this instance. UFO so far has been best known for their presumably successful series of giant killer animal/reptile/bug movies. Therefore it's probably not much of a surprise that the micro-nauts finds themselves besieged not only by the protoplasmic white blood cells, but also by microscopic but comparatively gigantic blood-sucking mites. Such a beastie is featured on the DVD box art, apparently in an effort to attract the company's normal consumers. On the whole, however, the screenplay evinces the problematic qualities of most of the studio's fare. One can't really complain about the ridiculousness of the film's central concept, because if it bothers you that much you wouldn't be watching the film. Perhaps wisely, the script quickly glosses over the science behind the smallifying process. However, it's so brusque in this regard that it's somewhat comical. In fact, they entirely skip over Dr. Bickell's explaining the miniaturization thing to Gaynes. Instead, we come in at the end as he rather vaguely notes, "It was always a simple matter of molecular compression. Once I cracked the formula, the practical application was a fairly simple matter." The physical action stuff is both poorly written and clumsily staged. It's obvious, for instance, that were to view Gaynes as a highly competent professional. Despite this, the terrorists get into the conference, the one supposedly secured by Gaynes' highly elite firm, by dressing themselves as caterers and proceeding directly to the facility's kitchen. Needless to say, this doesn't exactly burnish our Hero's credentials as a savvy operator.
Later, much time before the raid is spent warning that the head terrorist will try to kill himself and hence set off the bomb at the first sign of trouble. The attack then commences, and the guy is caught unharmed (at least at first), but only after he would have been able to kill himself a dozen times over. If you look closely, you can actually see him holding his pistol to his head for a good thirty seconds or more before they manage to disarm him. One bit that kept throwing me was that, after the terrorists detailed the nuclear bomb thing and slaughtered the German Chancellor on television, they kept arguing over whether the public at large should be informed of the situation and evacuated. Even given the counterintuitive paucity of reporters on hand at the conference, and even if the TV report for some reason hadn't gone out live, the idea that all this could be kept from the public remained farcical. Even so, no doubt the biggest groan the film evokes occurs during the climax. Despite going into near-death cardiac arrest about three times during the proceedings, at the end the terrorist magically revives enough to grab a weapon and threaten the cast. (Oops, sorry.) Presumably the filmmakers thought it would be anti-climatic to just let the guy die from his wounds, but his sudden resurrection is more than a little risible. Despite a fairly short running time of about ninety minutes, and generally solid pacing, the script also tends to introduce characters who really don't have much relevance to the plot. Otto really doesn't serve much purpose here and neither does Gaynes' daughter. The most egregiously pointless character, however, is one of your standard Venal Reporters. She's introduced as having unfairly maligned Gaynes following the Washington bombing, has a rather prominent amount of screentime during the hostage situation, and then disappears. I realize they needed to drag things out until they got to the miniaturization stuff, but they probably could have handled this aspect better. If I were able to correct one common trait of the studio's product, it would be to outlaw the attempts at "Hasta La Vista"-type one-liners the characters inevitably spout following what should be solemn moments of horror and/or violence. I realize this has been standard action movie material since the 80s, but it's also something that should have been retired long ago. The film shoots itself in the foot when it goes out of its way to remind you that you're watching a movie, which is the primary effect of the tiresomely witless quips.
By the way, a nod of Jabootu's horns to Marty McKee for pointing this one out to me. Marty is well known to the more hardcore B-movie buffs as a moderator for the invaluable Mobius Home Video Forum, an Internet discussion board covering genre films in all their varieties, with an emphasis on their appearances on DVD and video. This is an essential resource for any self-respecting fan of cult movies, and you should really check it out if you haven't before.
Summary: Better than average DTV fare."
Review of Antibody & Others by Ken Begg at Video Cheese
Be part of the Millennium and Listen to the Music
Lance Henriksen to the rescue in this one! If it weren't for Lance Henriksen's portrayal of Emil Fouchon and the numerous action scenes in this movie it would not have been worth the "watch". I must admit, I am a Van Damme fan because of his action scenes. They excite me! However, it was the performance of Lance Henriksen that causes the excitement in this movie. This movie displayed one of the more enjoyable performances of Lance Henriksen's range and depth of artistry of a colorful yet somewhat dark character in such a manner that you can't help but like the bad guy. "Hard Target" stars Jean-Claude Van Damme with John Woo directing. It also stars Yancy Butler, whom I have enjoyed watching in some of her other projects especially the television series, "Witchblade". I may have started watching the movie to see Van Damme's fighting scenes; however, I ended up being swept away with the command performance of the colorful character of Emil Fouchon played by Lance Henriksen. In my opinion, Lance's performance along with the various types of action scenes made the film entertaining. By Lafemmenikita07
Trailer from "Hard Target"
Source: Picture Gallery by Lycos
Another Review
Swishing, whooshing, lovingly photographed weaponry. Nasty gurgles from the wounded. The clonking sound of a head hitting wrought iron. A bullet in the eye. These are the cornerstones of "Hard Target," one of this summer's few super-bloodthirsty action films, and the one that actually stood a chance of rising above its genre.
"Hard Target" was an opportunity for both John Woo, the Hong Kong-born action-film director with an ardent cult following, and Jean-Claude Van Damme, the self-appointed Muscles From Brussels, to reach a mainstream audience. "Hard Target" had a hard time getting past the Motion Picture Association of America's rating board without an NC-17 rating. But even in this somewhat adulterated form, Mr. Woo's film remains overwhelmingly violent and not always stylish enough to give its excesses the appearance of wit. Not even when its star bites the tail off a rattlesnake and then slugs the snake for good measure.
Mr. Woo's obvious gusto and his taste for myth making are readily apparent. But so is his fondness for the slow, lingering death scene coupled with sickening sound effects. Presenting Mr. Van Damme as reverentially as Sergio Leone did the young Clint Eastwood, Mr. Woo displays a real aptitude for malignant mischief, which is this story's stock in trade.
Derived from the 1932 film "The Most Dangerous Game," from a story by Richard Connell, "Hard Target" tells of wealthy thrill-seekers who pay large sums of money to stalk human prey. Right after it opens vividly with one such hunt-to-the-death, the film presents a perfect B-movie conversation. "It's like a drug, isn't it -- to bring a man down?" observes the entrepreneur who arranges this blood sport. "Was it worth it?" he asks his client. "Every nickel," the client solemnly replies.
The screenplay by Chuck Pfarrer (who appears in this sequence as the ill-fated victim) concentrates most of its creativity on the characters' names, which include Pik Van Cleaf (Arnold Vosloo), Emil Fouchon (Lance Henriksen) and Chance Boudreaux (Mr. Van Damme). The film does have one first-rate rejoinder, when Mr. Henriksen's rich, jaded entrepreneur asks Chance why he insists on spoiling all the fun. "Poor people get bored, too," Chance replies.
Speaking of bored, Mr. Van Damme has still not broken the habit of his own blank-faced posturing, although Mr. Woo films him in the most aggrandizing style imaginable. From the first tight close-up of the star's brooding eyes to the loving images of his feet kicking various faces, "Hard Target" does what it can to present Mr. Van Damme in a bold new light. Curiously, the film's neo-Peckinpah taste for slow motion gives Mr. Van Damme's stunts a balletic quality that diminishes their spontaneity. It's necessary for Mr. Woo to place his star standing on the seat of a moving motorcycle, for instance, and send him catapulting over the hood of an oncoming van to create the requisite high excitement.
Mr. Van Damme's Chance (who is said to have been "raised in the bayous," in this latest on-screen effort to explain his accent) is supposed to be a derelict, which allows Mr. Woo the opportunity for occasional flashes of social commentary. The film's glimpses of the homeless are sharp and unexpectedly substantial, which makes its frivolous ugliness that much more unfortunate. The plot involves Chance's being recruited by long-haired, wide-eyed Natasha Binder (Yancy Butler) to find her father, who is of course well past finding.
"Hard Target," which is set in New Orleans, also includes a warehouse full of Mardi Gras floats and Wilford Brimley, who rides a horse and tries out a conspicuous Louisiana accent. Clearly, Mr. Woo's sense of humor is as perverse as his other talents.
"Hard Target" is rated R (Under 17 requires accompanying parent or adult guardian). It is extremely violent.
Hard Target
Directed by John Woo; screenplay by Chuck Pfarrer; director of photography, Russell Carpenter; edited by Bob Murawski; music by Graeme Revell; production designer, Phil Dagort; produced by James Jacks, Sean Daniel, Mr. Pfarrer and Terence Chang; released by Universal Pictures. Running time: 92 minutes. This film is rated R.
Chance Boudreaux . . . . . Jean-Claude Van Damme
Emil Fouchon . . . . . Lance Henriksen
Natasha Binder . . . . . Yancy Butler
Uncle Douvee . . . . . Wilford Brimley
Carmine Mitchell . . . . . Kasi Lemmons
Pik Van Cleaf . . . . . Arnold Vosloo
Elijah Roper . . . . . Willie Carpenter
Binder . . . . . Chuck Pfarrer
Lance Henriksen donated his time for making this film and gave a lifetime remarkable performance. This artist is so true to form that I have tears dropping down my face while adding this information.
Magical
Lance Henriksen displayed a powerful performance receiving enormous praise for his work in "A Message from Fallujah" portraying Daniel Crane. Daniel Crane is an American employee working to rebuild Iraq and is kidnapped and held hostage on his last day in Fallujah while sitting in an outdoor cafee making friends with a local kid when armed men rush him, bundle him in a van and take him hostage. Daniel Crane re-appears on a video with a knife to his throat and his captors demanding the release of prisoners of war. Daniel Crane is abused by his captives and suffers from heat, thirst, torture, desperation and brutality. Daniel Crane is alone and his only wish is to tell his wife he loves her. That is Daniel Cranes' message brilliantly portrayed by muti-talented Actor/Artist Lance Henriksen. The film stops short of revealing to the audience whether Daniel Crane escapes or meets some other fate. The 15 minute short "A Message from Fallujah" won the 2005 Los Angeles Short Film Fest winner of the, " Best of the Fest" for a 15 minute short (film.) Director Richard Gibson's received prizes valued at approximately $31,784 that included (1) Panavision Camera Package Valued at $30,000, (2) Final Draft Screenwriting Software value of $289.00 (3) Writers Boot Camp - Basic Training Certificate worth $895.00 and (4) Net TV Web Hosting - $600.00 1 year. The Los Angeles International Short Film Festival is the largest short film festival in the world and one of the few recognized by the Academy of Motion Pictures Arts & Sciences. If you are interested in more information go to Los Angeles International Short Film Festival.
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Comments From Opinion Journal About Fallujah
"The making of A Message from Fallujah"
"A Message From Fallujah . . . Richard Gibson's Iraq
A Message From Fallujah stars Lance Henriksen as Daniel Crane, an American civil engineer who is kidnapped on the last day of his three-month stint trying to help rebuild war torn Iraq. Beaten and alone, a hostage in the drama of war, Crane has one last wish, to tell his wife how much he loves her.
On the set of A Message From Fallujah
The internationally acclaimed, A Message From Fallujah is the second short film by Director, Richard Gibson from Australia. Having won a number of international and local awards, including the Best of the Fest Award at the 9th Annual Los Angeles International Short Film Festival, the short film has earned a prestigious endorsement from Amnesty International.
Produced by Andrew Morris and Alan Robinson from Sydney-based Luscious International Pictures, Fallujah is testament to what can be achieved on a limited budget using SFX and creative ingenuity.
Executive Producer, Andrew Morris from Luscious International and Gibson invited cinematographer, Philip Rang to shoot the production. Working with Gibson provided Rang with a chance to learn about the benefits achieved through a hybrid mix of film technology and digital effects. "Richard's intense manner and experience in post production effects taught me about what can be created from very little real elements in frame", recalls Rang. "The opening sequence of the film was shot in the morning of the last day. We shot against a derelict storage shed artfully dressed into an Iraqi street cafe by Art Director Oleh Sokolovsky. The middle of the frame was the cafe, and because we had a roof with straight lines we didn't need blue screen. Richard knew through the use of simple matte paintings, he would be able to extend the cafe and give the impression that we were really in an Iraqi street."
With screenplay written by Shane Briant and Richard Gibson, A Message From Fallujah posed several challenges for Producers Alan and Andrew, with the production settling on the Serenity Cove Studios' back lot to double for Fallujah.
On the set of A Message From Fallujah
Rang worked with Gibson to embrace the full gamut of imaging technology. "Film technology and its chemical process will always be present for the best shooting results", says Rang. "But it's the tools we use in tandem with film that can generate a desired visual effect and give us the best of both worlds". Rang chose KODAK EXR 50D 5245 for exteriors sequences and KODAK VISION2 500T 5218 for night and interior scenes. "We supplemented our stock with KODAK VISION 250D 5246 for the dusk sequences. The flashback home movies of the family were shot on a hand cranked 16mm Bolex with KODAK Ektachrome 400, developed in a standard negative bath which gave us a lovely grainy old world home movies feeling."
"Richard likes to operate hand-held quite a lot and we made full use of an Aaton 35mm which also doubled as our second camera," explains Rang. "We also used an Arri 535 and worked with several different lenses including a series of Zeiss Ultra Primes 10-135mm, an Angenieux HR 10:1 and a Canon 300/600mm Telephoto lens. We shot with only straight N.D.s and a 2 stop Polarizer."
Prior to the shoot, Gibson and Rang discussed the use of various filters such as ND grads and also considered a bleach by-pass for the development of the negative but, decided to shoot the film 'clean' to allow for the images to be augmented with digitally created environments.
With principle shooting completed in December 2004, the film wrapped post production in June 2005 with Emerald City Design, VFX headed by Grant Everett, taking the lead in managing the post production. Emerald City was charged with creating digital environments to give the film an authentic look of War torn Iraq. Additional effects, such as the matte paintings created by Richard Gibson and the 3D images of the Black Hawk helicopters done by Paul Butterworth at Fuel Post Production, were left to the 2K transfer process which was shared between Warren Lynch at Inter Color and Andrew Clarkson at Cutting Edge."
"Artist Interviews Magazine covered The Los Angeles International Short Film Festival which took place at the beautiful and popular ArcLight Cinemas in Hollywood. The Festival introduced the creations of filmmakers from all over the world in more than 600 short films in one of the year's most intense film festivals. The LA Shorts Fest began to screen movies in the morning and continued past midnight."
"The Festival started with the screening of four films, among them, the brilliant and moving short A Message from Fallujah. Lance Henriksen, an accomplished actor who needs no introduction, starred in the movie. Henriksen has been in more than a 100 popular films and has four new upcoming films: Bone Dry (2006), The Chosen One (2005), The Garden (2005), House at the End of the Drive (2005). Henriksen got up to speak about the film and about the Director, Richard Gibson. We caught up with Lance and talked with him about our admiration for his work as an actor and the many movies that he has been in, for a forthcoming and exclusive interview with our publication."
2005 San Diego Comic Con Source: YouTube
I have read so much about Lance Henriksen the person being such a nice guy from fans and admirers that claim to have met him. Those of you that have worked with Lance Henriksen and/or met him please comment on it. I really need to know if the actor I admire so much is a nice person when not acting. Send me your stories and/or photo and I will post them in my blog giving you credit using your handle or whatever name you want. By Lafemmenikita07
2005 San Diego Comic Con Source: YouTube
Source: YouTube
2005 San Diego Comic Con Source: YouTube
Source: YouTube
2005 San Diego Comic Con Source: YouTube
Source: YouTube
2005 San Diego Comic Con Source: YouTube
Source: YouTube
2005 San Diego Comic Con Source: YouTube
Source: YouTube
Image above is Actor Lance Henriksen as Emil Fouchon in Hard Target starring Jean Claude Van Damme.